Hana-bi (Fireworks)
Takeshi Kitano, 1997, Japan, 103 min // FREE SCREENING
Feeling responsible for the shattered lives of his loved ones, beleaguered police detective Nishi (Takeshi Kitano) takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his partner paralyzed from a brutal gangster attack, Nishi borrows money from a yakuza loan shark and then robs a bank to clear his debt. The yakuza, however, are not so easily bought off, sending Nishi down a road paved with nihilism and violence. Considered Kitano's first true cinematic masterpiece, HANA-BI demonstrates the auteur's immense talents both in front of and behind the camera.
Takeshi Kitano, 1997, Japan, 103 min // FREE SCREENING
Feeling responsible for the shattered lives of his loved ones, beleaguered police detective Nishi (Takeshi Kitano) takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his partner paralyzed from a brutal gangster attack, Nishi borrows money from a yakuza loan shark and then robs a bank to clear his debt. The yakuza, however, are not so easily bought off, sending Nishi down a road paved with nihilism and violence. Considered Kitano's first true cinematic masterpiece, HANA-BI demonstrates the auteur's immense talents both in front of and behind the camera.
Takeshi Kitano, 1997, Japan, 103 min // FREE SCREENING
Feeling responsible for the shattered lives of his loved ones, beleaguered police detective Nishi (Takeshi Kitano) takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his partner paralyzed from a brutal gangster attack, Nishi borrows money from a yakuza loan shark and then robs a bank to clear his debt. The yakuza, however, are not so easily bought off, sending Nishi down a road paved with nihilism and violence. Considered Kitano's first true cinematic masterpiece, HANA-BI demonstrates the auteur's immense talents both in front of and behind the camera.