Noroit
Jacques Rivette, 1976, France, 145 min
Non-Existent Myth: Jacques Rivette’s 1976 Films
“Perhaps the last gasp of the modernist strain that infused his work from L’AMOUR FOU to OUT 1 to CELINE AND JULIE GO BOATING, this is Rivette’s violent and unsettling fusion of a female pirate adventure (filmed on some of the same locations used for THE VIKINGS, but set in no particular place or period), mythological fantasy, Jacobean tragedy, experimental dance film (with live improvised music) and personal psychodrama.” (Jonathan Rosenbaum, Chicago Reader)
Jacques Rivette, 1976, France, 145 min
Non-Existent Myth: Jacques Rivette’s 1976 Films
“Perhaps the last gasp of the modernist strain that infused his work from L’AMOUR FOU to OUT 1 to CELINE AND JULIE GO BOATING, this is Rivette’s violent and unsettling fusion of a female pirate adventure (filmed on some of the same locations used for THE VIKINGS, but set in no particular place or period), mythological fantasy, Jacobean tragedy, experimental dance film (with live improvised music) and personal psychodrama.” (Jonathan Rosenbaum, Chicago Reader)
Jacques Rivette, 1976, France, 145 min
Non-Existent Myth: Jacques Rivette’s 1976 Films
“Perhaps the last gasp of the modernist strain that infused his work from L’AMOUR FOU to OUT 1 to CELINE AND JULIE GO BOATING, this is Rivette’s violent and unsettling fusion of a female pirate adventure (filmed on some of the same locations used for THE VIKINGS, but set in no particular place or period), mythological fantasy, Jacobean tragedy, experimental dance film (with live improvised music) and personal psychodrama.” (Jonathan Rosenbaum, Chicago Reader)